Wednesday, January 22, 2014

In a World...



I am sure that pretty much everybody has seen a sports underdog movie at one point or another.  There are some great ones out there, there are some awful ones out there, and representatives from both qualities have a unifying factor in that there is usually a very similar format in play, and that there is some predictability that can happen.  While the movies can cover different sports and focus on different themes, most all will take the audience through the tried and true paces that properly build the emotional response when the underdog gets their shot (sometimes successful, sometimes not) at glory.  Of course, any movie genre that relies so heavily on formula is easy target for parody.

Actress Lake Bell makes her feature film directorial and writing debut, as well as playing the lead, in the movie, In a World… which is a film that lovingly parodies the format of the sports underdog stories, but instead places it in the dog-eat-dog world of movie trailer voiceovers.  Some people may instantly roll their eyes at that premise, as it would be easy to dismiss as lampoonery, but Bell brings a lot of heart, warmth, and fun to this movie, and instead of frolicking into the realm of the absolute ridiculous, it plays it fairly straight… for the most part.

One of the large strengths of this movie was the writing, which makes me extremely excited for what Bell is able to come up with next.  The humour is well inserted into the script, and the supporting cast is magnificent in their delivery.  While we don’t get to know all of the supporting characters past a few scenes, Bell made attempts to give them all quirks and personalities that brighten up the film.  Though it is fun parody with good comedy, there are some elements of seriousness inserted into the film, which keep it from being too light and breezy.  The characters in play all have their own motivations, dysfunctions, and issues that they are trying to work through, which takes this screw-ball idea and plants it in a group of people who you can identify with and root for.  There is also a strong element of female empowerment, a subject that is lacking from many movies, and can be handled poorly when attempted (Sucker Punch is the best example of that)

One of the great dynamics of the film is between Carol (Bell) and her father, Sam (Fred Melamed), who is a legend in the voiceover world and believes that it is a boys club and that women in the industry should stick with jobs such as vocal coaching.  Instead of focusing on helping his own daughter in her career, he assists the hot up-and-comer in the field, the rich and arrogant Gustav (Ken Marino), who has a similarly chauvinistic view of women in the workplace.  As the film rolls along, we see the difference between Sam and Carol in what is important in their lives, who they choose to spend their time with, and who they spend their energy assisting.  This aspect of the story helps to elevate the film from typical comedy to properly delivering the story of the empowered female.

It would be wrong of me to talk about the supporting cast, and not bring up the fact that this film has the always innocently delivered comedic stylings of Demetri Martin, who plays a sound tech who works with Bell.  Michaela Watkins plays Carol’s sister, Dani, who has her own issues to deal with, outside those with her dad, in her marriage to Moe (Rob Coddry).  There are also appearances from Eva Longoria, Jeff Garlin, Geena Davis, and Nicker Offerman.

What really leaves this film feeling special is the boldness and joy that Bell takes in taking an oddball concept, playing with quirky characters, but also not hiding from real-life issues that keep the characters from becoming too cartoony.  It is a fine line to balance between serious and funny, one that many movies fall short one, and Bell is able to do extremely well, erring on the side of comedy over darkness.  This is what really highlights Bell’s talents and abilities, because she shows such a natural ability to tell a multi-dimensional tale, yet, as a viewer, I truly got a sense that I was also seeing a representation of her individual personality at the same time.

I have seen so many serious, emotional, and tear jerking movies in the last little while, and it was so nice to feel refreshed by being treated to a comedy that was both funny as well as being a great movie.  It is an extremely charming film that works to balance the comedic aspect of the film with an element of serious reality, but Bell knows well enough to keep from allowing things to become too deep or too dark.  This is, after all, a film about the illustrious world of voice over talent.

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I'm smarter than a bat. I know this because I caught the little jerk bat that got in my apartment, before immediately and inadvertently bringing him back in. So maybe I'm not smarter than a bat.