Saturday, March 9, 2019

Rambo, And Why I Disagree With The Popular Opinions



Sylvester Stallone solidified his name and career off of Rocky, and, in 1982, added another mammoth franchise to his portfolio.  In First Blood, Stallone played the part of John J. Rambo, a Vietnam special forces veteran that makes a mess of a small town.  I have always found it confusing that there is a great deal of acclaim for First Blood, and not much love for the sequel, Rambo: First Blood Part 2.  I'm fine with bringing criticism down on my head by saying the first film wasn't much, and the sequel is an iconic gem.

When I was much younger and I saw First Blood, I couldn't quite tell why it was supposed to be a 'good' film.  Rambo freaks out and snaps under the weight of mild abuse from local cops, beats them all up, escapes, and a giant manhunt ensues.  Not to justify the actions of the police, but Rambo was a bit of a dick and brought a lot of it on himself.  Then, when people get injured and someone dies, Rambo protests that he didn't do anything, making himself the victim.  This never sat for me, as the actions and reactions weren't those of a victimized hero.  The 'antagonist,' a sheriff played by Brian Dennehy, spends most of the film saying very common sense things, and, to tell you the truth, he is the relatable character in the film.

Personally, I think part of the problem is that Stallone seems to like to be the hero.  Ten years ago, when I got around to reading the book First Blood, by David Morrell, I understood why I had my issues with the film.  In the book, John Rambo is not a hero.  He isn't even a good guy.  The story is simply of an escalating vortex that two people, Rambo and the sheriff, find themselves in.  The decision to make Rambo the hero in the film is at odds with the story itself.  In short, this just isn't the type of structure that allows for a straightforward protagonist, and shifting the Rambo character towards being a good guy doesn't fit.



On top of this, we have one of the worst, cheesy, characters of that decade.  Rambo's former superior, Trautman (Richard Crenna) is nothing but a walking billboard for John Rambo.  He can't get enough of gushing over Rambo, and, whenever given the chance (and many often when not given the chance) he dotes over the god like abilities of Rambo.  My eyes roll with almost everything he says, essentially every line equating to, 'it turns out he's not just a cook' (sorry for the reference that some may not get).  It's like a kid who is five years old and finally got to meet Santa at the mall and just cannot shut the heck up about it.  He talks about it the entire ride home from the mall.  He talks about it while in the bathtub.  He talks about it while trying to brush his teeth.  Yes, we get it.  Rambo is tough.  Yes, no number of cops, national guard, or soldiers will even be close to good enough to handle Rambo, John J..  Trautman was in the book, but not like this.  SPOILER, at the end he literally blows Rambo's head off with a shotgun.

Now, the second film, oddly called First Blood Part 2, since there can never be another 'first' blood.  Any blood after that would be, second blood, or Rambo: Yet Another Blood.  Anywho, this is the movie that is in my opinion the pinnacle of the franchise, and one of Stallone's best films.  Sadly, the reason I say this is not for the same reasons that Sylvester Stallone was shooting for with this movie.  The script, penned by James Cameron and Stallone, is a fast moving, tightly told action story about Rambo being sent into Vietnam to take pictures of what is suspected to be an abandoned POW camp. When he finds American soldiers held captive there, he nabs one and makes his way to the extraction point, only to have the slimy suit in charge of the operation, Murdock (Charles Napier), abandon him.  This means two things.  First of all, John Rambo is mad.  Secondly, the only solution is explosions.

The reason why I hold this up as the better movie is that it perfectly represents everything that 80s action films were about, and everything that went along with the 'one man army' story (Commando would be the other film to sum up everything of that decade).  There is super-cool music now (because Rambo is going to explode pretty much everyone and everything).  There are muscle porn shots of his vascular body parts as they are forever in a state of flexing for some reason (well, that reason is because Stallone loves his body).  Our specially trained hero can wildly wave an assault rifle around and droves of villains die instantly.  And, on that topic, for being such a highly skilled and trained warrior, why the heck is Rambo seemingly allergic to aiming down the sights of his gun? Our 80s action heroes like shooting from the hip, because, you know, that's not completely dumb at all when you sit down to think about it.  The poster even goes as far as to show Rambo about to shoot an RPG from the hip.



When I said there were explosions in the film, that statement doesn't do it justice.  EVERYTHING shall explode.  It is this over the top nature that syncs this film with the pulse of that decade.  Bamboo huts?  Yep, they will blow up?  Evil man with a pistol?  Yep, he will blow up, and his boots will remain.  Anything and everything is done in this film to amplify the bad-assedness of John Rambo, and to turn up to eleven all that he is capable of.

Judging by the end of the film, Stallone really thought that there was a serious message to this movie. Really, a serious message to a film where a submerged man can leap straight up out of the water and land with his feet on a helicopter hover about four feet above the surface.  Yes, that is the proper vehicle for making some kind of political statement.  Stallone flexes eternal, Russians and Vietnamese soldiers blow up, and Murdock is the ultimate bureaucrat.  As far as having a suit in a film like this, Napier brings it full force and sets the bar.  Even Trautman isn't as annoying as in the first film, and he has some good exchanges with Murdock.



Many love First Blood, and I don't get it.  A good friend of mine once pointed out that Dennehy's character (who 'cruelly' tries to keep Rambo out of his town) is completely proven right in his worries that Rambo would cause trouble.  The 'hero' causes a poop-storm.  In the second film, under the great direction of George P. Cosmatos (who also directed the awesome Cobra, although once again it was awesome not for the reason that Stallone wanted), we are treated to essentially a live action cartoon.  There is no way at all to take Rambo: First Blood Part 2 seriously, but that's okay.  I am positive that Cosmatos didn't want that.  He created an over the top film that would go on to be a perfect time capsule for an entire decade.  And did I mention explosions?

1 comment:

  1. 'First Blood' was heralded for how it explored the PTSD suffered by Vietnam vets and how society treats them to make the healing process even harder. Except wasn't that already explored much better in 'Deer Hunter' and 'Apocalypse Now'? Anyway, I am willing to revisit 'First Blood' and see if the movie works better for me now.

    ReplyDelete

About Me

My photo
I'm smarter than a bat. I know this because I caught the little jerk bat that got in my apartment, before immediately and inadvertently bringing him back in. So maybe I'm not smarter than a bat.