While some documentaries are constructed to prove a point,
sell an ethic, or construct a moral argument, The Square provides a window into
the street level perspective of a revolution as it follows the protests in
Tahrir Square, Cairo, following the start of the Arab Spring in 2011. While it does not attempt to provide a
multi-sided story, it strives to show the desires, drive, and emotions of those
who are dedicated to their cause in seeing true democracy in the country that
they love so dearly.
The movie follows a group of revolutionaries who are seeking
to end the system of government in Egypt, and bring in one that is free from
corruption and offers equal opportunities to all. Not only are these people followed in the
film, but they are also given cameras during different events to allow for many
different perspectives on what transpires.
Director Jehane Noujaim started the project while it was in its early
days, and followed it through up until the ousting of President Mohamed Morsi
in July of 2013. Noujaim had The Square edited and screening at the
Sundance Film Festival in 2013, but headed back to Egypt to get footage of the
ongoing protests.
What really adds weight to this film is that it feels like
we start gaining an attachment to the documentary’s main principles, and so
their struggle ultimately becomes a desire that we begin to feel
ourselves. We see their successes, learn
of their mistakes, and see them celebrate as well as find them at moments where
the trauma of the resistance they face has them at a point of almost
quitting. Our heart breaks for them, and
the commitment they show becomes an inspiration as atrocities are unable to
ultimately break their spirits, but eventually fuel them to continue on. While a cause can run out of steam and
emotion after a few weeks, we gain a perspective of people who will fight for
years, the kind of individuals whose characters are capable of changing the
world.
It is this glimpse that we get that really makes this film
so special. While it is one thing to
follow a movement by keeping up on the news, we see through this story that
there is a lot more than meets the eye. There
is so much to the narrative that it is impossible to truly get a sense for what
is happening on ground level. Each side
does what it can to win public opinion and tell its story, and The Square allows a glimpse behind all
of that to see the front line actions and the meetings behind the scenes. We see the personal dilemmas that the
participants put themselves in, and how quickly a movement that starts out pure
and unified can begin to fracture as people start to desire outcomes that
benefit them individually.
Allowing for all of this to be pulled off is the use of many
cameras that are small enough and portable enough to get into all of the different
situations without being so big that they gain the attention of the
authorities. There is a moment when
there is a confrontation and the filming abruptly stops, and apparently it was
a quick switch of memory cards that ensured that footage would make the
film. One can only imagine what the
documentary would have been if the film makers never had any footage confiscated
(there were times where they lost footage) but what they assembled was
incredibly powerful.
What we can take away from this documentary is that when
there is corruption, there is no cut and dry approach. There is no easy solution, and there is no
quick fix. It shows the power of the
people, that when citizens are willing to stand together bravely and be
undeterred, governments and institutions cannot stand. We learn that those who lead such movements
are incredibly special people, committed to a dream and a vision, who are able
to share that with others, and who have a true understanding of the sacrifice
that is needed to achieve the goal. The
most powerful thing we learn is that change was not instituted by groomed
leaders or people who were born with a silver spoon in hand, but that rising
from the populace were ordinary people who had a belief in what was right.
Rating – 4 out of 4 stars
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